Dior x Anselm Reyle
I wasn't aware of Dior's tradition of working closely with artists.
But nonetheless, it makes sense that if Monsieur Dior himself was an art aficionado and one-time gallery owner, his eventual atelier, maison, and legacy would inevitably be intertwined with the works of notable creatives.
In his day, Dior kept company with Man Ray, Giacometti, Dix, Picasso, Dali and others. Today, the Dior name is paired with that of Anselm Reyle, the abstract-expressionistic, pop/op German Artist.
Reyle is a big deal; his works skirt heavy formalism with a witty facade and stark undertones. On its own, I'm quite fond of his output, especially the large paint-by-number pieces.
But do I fancy his searingly bright veneers enough to envision him reinventing beloved Dior classics?
On first blush, hell no.
On second blush, however, it makes perfect sense. Especially since every star artist isn't always given carte blanche to reinterpret Dior accessories...
One would never expect the Lady Dior bag to be punched up with neon stitching. Or to have satchels and weekenders finished in mod-camouflage prints. Or to see Reyle's trademark triangular icon dangling in a reflective flouro next to the Dior keychain logo.
Somehow, the urban juxtaposition works well with the elegant forms, offering a youthful take on the deified Dior pieces without cheapening its worth.
Monsieur Dior would certainly approve.
NB Images Courtesy Dior PR
